Why the Season 2 finale of “The Mandalorian” matters to so many of us
By Kent R. Kroeger (December 27, 2020)
“As in the case of many great films, maybe all of them, we don’t keep going back for the plot.” — Martin Scorsese
“I don’t care about the subject matter; I don’t care about the acting; but I do care about the pieces of film and the photography and the soundtrack and all of the technical ingredients that made the audience scream. I feel it’s tremendously satisfying for us to be able to use the cinematic art to achieve something of a mass emotion.” — Alfred Hitchcock
After over 55-plus years, I can count on two hands and a couple of toes the number of times I’ve cried watching a movie or TV program.
I cried when Radar O’Reilly announced Colonel Henry Blake’s death.
I cried when the U.S. Olympic hockey team beat the Soviets in 1980.
I cried when Howard Cosell told us that John Lennon had been killed.
I cried when ET said goodbye to Elliot.
I cried when the Berlin Wall came down in 1989.
I cried when baby Jessica was pulled from a 22-foot well.
I cried when Mandy Moore’s character dies at the end of “A Walk to Remember.”
I cried when Harry Potter and his wife sent their son off to Hogwarts.
I cried when Barack Obama became our 44th president.
I cried when the 33 Chilean miners were rescued.
I cried when the Chicago Cubs won the 2016 World Series.
But I can’t remember crying harder than while watching this season’s final episode of Disney’s “The Mandalorian,” when Luke Skywalker rescues Grogu (more popularly known as ‘Baby Yoda’) from the Empire’s indefatigable, post-Return of the Jedi remnants.
Since its December 18th release on Disney+, YouTube has been flooded with “reaction” videos of Star Wars fans as they watched a CGI-version of a young Luke Skywalker (Mark Hamill) remove his hood before Grogu’s caretaker, Din Djarin (a.k.a., The Mandalorian), and offers to train Grogu in the ways of The Force.
The “reaction” videos range from the highly-staged to the very charming and personal — all are illustrative of the deep affection so many people have for the original Star Wars characters, particularly Luke Skywalker.
For me, however, it is hard to detach from this emotional, collective experience the knowledge that it never would have happened if Lucasfilm (i.e., Disney), under the leadership of Kathleen Kennedy, hadn’t completely botched the Disney sequel movies, starting with “The Force Awakens,” director J. J. Abrams’ visually stunning but soulless attempt at creating a new Star Wars myth, followed by “The Last Jedi,” director Rian Johnson’s inexplicable platform for pissing on the original Star Wars mythos, and ending with “The Rise of Skywalker,” J.J. Abrams’ failed attempt to undo Johnson’s irreparable damage (along with the desecration Abrams himself laid upon the Star Wars brand with “The Force Awakens”).
Though opinions vary among Star Wars fans as to the extent Disney has alienated its core Star Wars audience, almost all agree that Disney’s most unforgivable sin was disrespecting the character of Luke Skywalker, who had been defined during George Lucas’ original Star Wars trilogy as an incurable optimist with an unbreakable loyalty to his family and friends (Princess Leia Organa and Han Solo).
We cried at Season 2’s end of the “The Mandalorian,” not just for the beauty of the moment, but also because of the depth of Disney and Lucasfilm’s betrayal.
Actor Mark Hamill, himself, as he promoted (!) “The Last Jedi,” perfectly described the cultural vandalism perpetrated by Kennedy, Abrams and Johnson on Luke Skywalker:
“I said to Rian (Johnson), Jedis don’t give up. I mean, even if he had a problem he would maybe take a year to try and regroup, but if he made a mistake he would try and right that wrong. So, right there we had a fundamental difference, but it’s not my story anymore, it’s somebody else’s story and Rian needed me to be a certain way to make the ending effective…This is the next generation of Star Wars, so I almost had to think of Luke as another character — maybe he’s ‘Jake Skywalker.’ He’s not my Luke Skywalker.”
That is not exactly what Johnson wanted to hear from one of his “Last Jedi” actors just as the movie was being released. But Hamill’s words spoke for many long time Star Wars fans.
In fact, many of us believe Disney and Lucasfilm’s Kennedy, with ruthless premeditation, intended to use the Disney sequel movies to malign Lucas’ Star Wars characters (with the exception of Princess Leia) in favor of the Disney-ordained Star Wars cast: Rey Palpatine, Kylo Ren (Ben Solo), Poe Dameron, and Finn.
I’m fairly confident in this prediction: Nobody 10, 20 or 30 years from now is going to care about Rey, Kylo, Poe and Finn. But I’m 99 percent sure we’ll still be talking about Luke Skywalker, if only in recalling how Disney f**ked up one of the most iconic heroes in movies history. Rey inspires no one — including young girls, who apparently were Lucasfilm’s targeted demo with the Disney sequel movies.
Had Disney trusted their own market research, they would have known the only reliable target was the tens of millions of original Star Wars fans (and their children and grandchildren), whose loyalty to Star Wars was proven when they still showed up at theaters for Disney’s three sequel movies, even after their devotion was insulted with the unnecessary diminution of the once dashing and heroic Han Solo (Harrison Ford) and, of course, Luke.
Had Disney treated their core audience with respect, Star Wars fans now might be anticipating Rey’s next cinematic adventure, instead of drowning themselves in the bittersweet giddiness of Luke’s triumphant return on “The Mandalorian.”
To be sure, a lot of Star Wars fans want to put Luke’s return in its proper perspective. We still have to accept that — under the Disney story line — Luke is destined to slump off to a remote island, drinking titty-milk from the teet of a giant alien sea cow while whining that he couldn’t stop his nephew from killing off Luke’s young Jedi pupils (including presumably Grogu).
Despite the joyousness of Luke on “The Mandalorian,” the dark cloud of Abrams and Johnson’s bad storytelling skills still looms large.
But even the biggest Disney critics are allowing themselves to enjoy what Jon Favreau and David Filoni — the creative team behind “The Mandalorian” — are doing for the fans.
One such person is Nerdrotic (Gary Buechler), the bearded crown prince of the amorphous Fandom Menace — a term used to describe a social-media-powered subculture of disgruntled Star Wars fans who particularly aggrieved at how Lucasfilm has dismantled Star Wars canon, allegedly using the Star Wars brand to pursue a “woke” political agenda at the expense of good storytelling.
“For the first time in a long time, the majority of the fans were happy, and the question you have to ask upfront is, ‘Disney, was it really that hard to show respect to the hero of generations, Luke Skywalker?’” says Buechler. “It must have been, because it took them 8 or 9 years to do it, but when they did do it, it sent a clear message that people still want this type of storytelling, and in this specific case, they want Luke Skywalker because he is Star Wars.”
For me, Luke’s return in “The Mandalorian” is a reminder that great moments are what make movies (and TV shows) memorable, not plot or story lines. People love and remember moments.
As someone who camped out in a dirty theater alleyway in Waterloo, Iowa during the Summer of 1977 to see a movie that was then just called “Star Wars,” I am going to enjoy what Favreau and Filoni gave us on “The Mandalorian” — the moment where the Luke Skywalker I love and remember from childhood returned to Star Wars.
Send comments to: firstname.lastname@example.org
Postscript: In recent days, Lucasfilm and Disney social media operatives have been posting messages reminding us that Luke Skywalker himself, Mark Hamill, is a “fan” of the Disney sequel movies, including Rian Johnson’s “The Last Jedi.”
Perhaps that is true. But I also believe Hamill has made it clear in the past couple of days where his heart resides — with the George Lucas’ Luke Skywalker: